I’ve spent nearly 20 years developing games across mobile, PC, and console. Along the way, I’ve had the opportunity to build and lead teams at Kongregate and Warner Bros., taking projects from early development through launch and into live operations.
Explore My WorkNearly 20 years across PC, console & mobile
Warner Bros. / Kongregate / Disney Interactive / Ubisoft / Midway
DC Worlds Collide ↗
01 / WARNER BROS.
Director of Design · Warner Bros.
As Director of Design, I led 26 game and UI/UX designers through production, worldwide launch, and live operations. My work included giving Design clearer ownership of the game, guiding the design of 90+ DC characters, and shaping a seasonal roadmap that extended more than a year ahead.
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02 / KONGREGATE
Game Director · Kongregate
TMNT was our studio’s first hero collector RPG, and I was responsible for a team of more than 25 as Game Director. I helped define the game around its characters, championed aimed Ultimates and a quest system that gave players clear goals, and worked directly with Nickelodeon on the Turtles’ presentation.
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03 / SYNAPSE GAMES–KONGREGATE
Game Director / Lead Designer · Synapse Games–Kongregate
I joined Spellstone in 2014 to guide its development and stayed with it through launch and years of live operations. My work combined hands-on card and event design with managing the team, delivering weekly content, and using player data to guide improvements.
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WORKING WITH ME
My career started in level design and grew into gameplay, systems design, and leading teams. I still enjoy working through design problems with other designers. As a director, I focus on giving the team clear direction and the ownership they need to make meaningful decisions.
I help teams decide what matters most to the game and turn that into plans they can build. That includes weighing new ideas, managing design risks, and keeping the player experience clear as the game grows.
I work with designers and leads as a sounding board, helping them refine ideas and build confidence in their decisions. I want them to own their work and know they have my support.
I bring lessons from years of building and supporting live games. I use playtests and player data alongside the team’s design judgment to understand what’s working, what needs attention, and what players should look forward to next.
PERSONAL PROJECTS
Outside my professional work, I’ve built independent games, multiplayer levels, and tabletop systems. These projects have given me room to explore ideas and develop skills I’ve carried into my career.
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